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Barbara and Yolanda used to share this website. After having way too much fun, they realized their individual business interests were not benefiting from all the play activity so they had to get serious and each of them needed to have their own site to help them get organized and concentrate. So, Barbara stayed here since this was her original website and Yolanda moved her fabrics to www.urban-amish.com. They continue to have playdates whenever they can. So this page will eventually change but for now here we both still are. |
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Barbara’s Story • Visit Barbara's Gallery I have always sewn, starting in grade school and continuing into adulthood, making clothing, baby and home decor items. My interests have spanned most all the handcrafts, usually making items to embellish my home. I have enjoyed meeting and taking classes with some very special teachers in the quilt world. Traveling to many quilt shows has given me the opportunity to make friends with quilters, shop owners, vendors and designers. |
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Yolanda’s Story • Visit Yolanda's Gallery Go to Yolanda's new website: www.urban-amish.com A passion for art manifested itself very early in my life. My mother tells me of my four-year-old's refusal to move from the window of an art-supply store in Old Havana until the rainbow box of Prismacolor pencils in the window was procured. I also have a vivid recollection of being chastised for removing everything from my kindergarden satchel except blank pieces of paper, a series of carrot drawings, and my Prismacolor box. I needed to see some vague "someone" to show them my "portfolio". How this idea of the workings of the art world had come to a four-year-old is unfathomable now, but somehow my imagination had converted my kindergarten teacher into an important art dealer. In 1961, a few years after the Prismacolor episode, my parents and I emigrated to New York City, where family awaited us. In New York my art education began in earnest. In fourth grade a retiring art teacher, perhaps recognizing a kindred spirit, decided to take me under her wing. She determinedly prepared me for entering every single contest available to my age group that year. Wanting to make her last year as an art teacher one for both of us to remember, she got special permission from the school and spent an entire day with me sitting on the Great Lawn in Central Park. She parked me with all her personal art supplies and made me draw the same scene (the twin towers of a building on 75th and Central Park West—an orienting beacon for West Siders walking in the park) over and over in all the media I could handle at the time: charcoal, oil pastel, my beloved Prismacolors, and chalk pastel. We won seven gold medals and one silver that year in Manhattan and New York City All-Borough art contests, one in every category we entered. My parents could no longer doubt that art would play an important role in my life, and made sure I got all the technical art education possible from then on. I had private after-school lessons and frequent trips to the Metropolitan Museum of Art and Museum of Modern Art. Fabric design and quilting found me much later in my artistic career. I had moved to Puerto Rico in 1981 both to regain my Hispanic cultural heritage and to pursue my fine art. While there my work caught the eye of recruiters for a design studio to be dually-based in New York City and San Juan. I moved back to New York in 1991 and entered a new phase of my career, licensing designs for both three-dimensional and surface-design products.I learned to design for textiles through having to adapt some of my illustrations for use on home-decor fabrics. I discovered that I deeply enjoyed this area of commercial design. A long and rewarding period of both licensed and freelance work with some of the major textile companies followed, VIP/Cranston, Concord, and Free Spirit among them. |